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My dictionary includes among its definitions for the word “Gothic” the following: “belonging to or redolent of the Dark Ages; portentously gloomy or horrifying: 19th-century Gothic horror”. I use
the term slightly differently: my
“Gothic” stories are set in the
past of the same world we know today, but
they have overtones of the
supernatural.”
Many of these stories are, for some reason unknown to me, inspired by Songs
of the Auvergne, by Joseph Canteloube.
The songs presented in that work are a
collection of folk-songs, with the usual
variety of tone and content that one finds in
folk music. But as I think about the
Auvergne, I see it more and more as something
like legendary Transylvania.
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